In the spring of 2008, 35 youth (ages 13 to 24) from across the GTA came together with local and international artists to build a multimedia art installation on global poverty, violence, and discrimination.
The Walls of Sorrow/Walls of Hope Installation is a journey - from darkness to light, from ignorance to awareness, from prejudice to empathy, from despair to hope. Specifically, it explored the 'power of art' and how art can be used as a tool for transformation and a framework for diplomacy and conflict resolution. First exhibited originally in July and August 2008 at Metro and City Hall in Toronto, the installation includes seven major sculptures.
The Walls of Darkness
This sculpture includes two tunnels of darkness, video projections of theatre and dance and three sound sculptures.
“Hear no Evil/See no Evil/Speak no Evil” is a theatre piece about the genocide that happened in Residential Schools. “Hear no Evil/See no Evil/Speak no Evil” shows how the Aboriginal culture and language was taken from the students that attended these schools and how it tore them apart emotionally.
Walls of Darkness Sound Sculpture
A three piece sound sculpture that depicts the sounds of ‘fear’, ‘helplessness’ and ‘Sorrow’.
“Women and War” is a contemporary dance about the parallel journey of two women through a time of conflict and isolation that represents women’s struggles throughout history. It is an interpretation of what women go through emotionally in times of conflict, such as war, poverty, and violence. The piece also interprets how strength is found in other women who have had the same experience and together are able to believe and search for tomorrow.
Walls of Darkness Sound Sculpture
A three piece sound sculpture that depicts the sounds of ‘fear’, ‘helplessness’ and ‘Sorrow’.
“Women and War” is a contemporary dance about the parallel journey of two women through a time of conflict and isolation that represents women’s struggles throughout history. It is an interpretation of what women go through emotionally in times of conflict, such as war, poverty, and violence. The piece also interprets how strength is found in other women who have had the same experience and together are able to believe and search for tomorrow.
La Gritona Paintings
A series of vibrant and powerful paintings express the youth’s sorrows and hopes for the world.
The Points of View Sculpture
This mixed media sculpture (almost human in form) explores different points of view about the same issue (both are true). The sculpture highlights key issues of concern to the group – poverty, war, violence and discrimination. These are explored from both a local and international perspective.
A point of departure from the tunnels of darkness, “The Well” is located in the centre of the installation and is a still point where the viewer is invited to reflect and go inward. Symbolizing the transformative journey one takes to find light in the darkness and within oneself in order to have strength to help bring peace to the world.
The Footcasts
The Wall of Hope is a 6’ft by 7’ two-sided sculpture. On one side there is a wall of holes where visitors can write and place their hopes for the world. On the back is a video projection – interviews with the youth involved in the project. Suggesting that the real hope in the world is the youth who have the courage to come together to explore social issues and express their voice so poetically to the world.
The Book
Placed on a tall stand built to the dimensions of the book itself, it includes a compliation of images and words by participants.
Mounting the Exhibit
A team of youth, artists, and parents worked together for four days to mount the exhibit at Metro Hall.
Installing the Well
Mounting the Wall of Hope
Transportation
Video Documentation
The Opening
The exhibit opened on July 14th to a crowd of over 200 people.
Remarks
Walls of Hope Artists
Youth Artists & Mentors
Mateo Henao
Luis Molins
Axel Ramos
Melissa Mora
Alanna Wener
Lyla Fern-Weinbren
Angel Pereza
Jessica Grifone
Adib (Shaan) Tanbir
Samantha McClean
Rachel Karstadt
Karla Lisette Menjivar
Lisa Rocca Roriguez
Cindy Menjivar
Kateryna Shpir
Shaneece Manitowabi
Sheyenne Squires
Heather Soloman- Easton
Vivian-Sofia Mora
Samantha Vite
Irma Villa Fuerte
Diana Pereza
Kai’enne Tymerik
Lilia Leon-Dryden
Apprentices
Jessica Wilde (21) (De-ba-jeh-mu-jig Theatre Group)
Barry Beaver (34) (De-ba-jeh-mu-jig Theatre Group)
Rosa Mindreau (25)
Chelsee Hennebury (24)
Guest Facilitators
Cecilia Alejo (Centre for Spanish Speaking Peoples)
Memo Cabrera (Centre for Spanish Speaking Peoples)
Tammy Schwanda (Native Child and Family Services)
Josh Peltier (De-ba-jeh-mu-jig Theatre Group)
Volunteers
Laurie Korneluk
Phillip Dixon
Jamie Roy
Noreen Joshua
Rebekah Blok
Artist Facilitators
International
Claudia Bernardi (artistic director)
Koruna Biswas Schmidtmumm (visual arts & foodie)
Local
Julie Jarvis (producer/director)
Erick Portillo (photography & foodie)
Artistic/Technical Facilitators & Advisors
Sheila Dietrich (AGO chief technician)
Michael O'Connell (music & sound design)
Margot Whitfield (AGO technician)
Sheila Dietrich (AGO chief technician)
Michael O'Connell (music & sound design)
Margot Whitfield (AGO technician)
Lindsay Smail (photographer & print design)
Jan Mackie (artistic & technical advisor)
Youth Advisory Group
Samantha Vite (Phoenix Community Works Foundation)
Kateyrna Shpir (AGO Youth Advisory Council)
Lisa Rocca (AGO Gallery School)
Rachel Karstadt (AGO Gallery School)
Samantha McLean (Delisle Youth Services)
(Adib) Shaan Tanbir (AGO Youth Advsiory Council)